PoolRoom

LION ROARS INTO HALL OF FAME

Over the years, Alex Pagulayan, the comical, mischievous and lethal Canadian-by-way-of-the-Philippines pool star, has parlayed his talents into the World 9-Ball Championship, a U.S. Open 9-Ball title and a pair of Derby City Classic Master of the Table crowns. Those achievements have now earned the 41-year-old “Lion” the “ultimate accomplishment,” induction into the Billiard Congress of America Hall of Fame.

The United States Billiard Media Association announced that Pagulayan will enter the sport’s most exclusive club, along with table manufacturer/promoter Greg Sullivan and Johnston City Hustlers Jamboree creators George and Paul Jansco. All will be formally honored during ceremonies at the Norfolk Sheraton Waterside Hotel in Norfolk, Va., on Friday, Nov. 1.

Pagulayan, who earned election in a run-off against England’s Kelly Fisher after the two had tied on the initial ballot, will enter the Greatest Players wing of the Hall of Fame. Sullivan, 70, and the late Jansco brothers will be honored in the Meritorious Service category.

“I don’t know what to say,” said Pagulayan after being informed of his election. “For a pool player, this is the ultimate accomplishment, right? And I’m happy to become the first Canadian in the BCA Hall of Fame.” Pagulayan, who moved from the Philippines to Toronto at 16, made his presence felt in 2002, when he reached the final of the U.S. Open 9-Ball Championships. After losing to Germany’s Ralf Souquet in the title match, Pagulayan, then 24, reached the final of the World Pool Championship a year later. Again, he lost in the final. Again, he lost to a German player, Thorsten Hohmann. But it was clear that Pagulayan had championship ability, and in 2004 he returned to the title match at the World Pool Championship in Taipei, Taiwan. This time he emerged victorious, topping local hopeful Pei Wei Chang for the title. A year later, Pagulayan exorcised his U.S. Open 9-Ball demon as well, winning the title. In addition to World Summit of Pool and World Pool Masters titles, Pagulayan is the only player to have won titles in all three divisions of the annual Derby City Classic — One-Pocket, Banks and 9-Ball. He also earned Master of the Table titles in 2015 and 2016.

“The Derby City All-Around titles are my biggest career highlights,” Pagulayan said. “They are such big fields and you have to play all three games well. And it’s really hard to win all three disciplines. I feel like I won pool’s triathlon.”

It was the first year of eligibility for both Pagulayan and Fisher. Each were named on 62 percent of the ballots, forcing a run-off vote. In the special election, Pagulayan received 21 votes, while Fisher received 16. Holland’s Niels Feijen (27 percent) and American Corey Deuel (24 percent) were the next highest vote-getters on the initial ballot. Shannon Daulton, Jeremy Jones, Stefano Pellinga, Vivian Villarreal and Charlie Williams were named on less than 10 percent of the ballots.

For Sullivan, admission into the BCA Hall of Fame caps a life of service trying to elevate pool from a recreation to a legitimate professional sport. An Indiana native, Sullivan became a poolroom owner and, with input from top players, began constructing pool tables to professional specifications.

Sullivan launched Diamond Billiard Products, with his tables quickly becoming the preferred playfield of the pros. Frustrated by coin-operated tables that forced players to use magnetic or oversized cue balls, Sullivan is also credited with introducing optical sensor to coin-op tables so that standard cue balls could be used. For Sullivan, it marked another victory in putting professional equipment into the hands of all players.

In the 1990s, Sullivan contracted the Pantone Company to research the optimum color for pool cloth. The testing resulted in the Tournament Blue prevalent in today’s professional tournaments.

As a lifelong fan of the Johnston City Hustler’s Jamborees of the 1960s and ’70s, Sullivan launched a similar multi-discipline event, the Derby City Classic, in 1998. The annual event has drawn thousands of professional and regional players to Southern Indiana for 21 years.

“I have to say, I’m in shock,” Sullivan said when informed. “My whole life has been about pool, just trying to turn it from a game to a sport. It’s all I’ve ever done.”

That George and Paulie Jansco should join Sullivan in the same Hall of Fame class is appropriate, since the Southern Illinois club owners founded the famed Johnston City Hustlers Jamboree and All-Around Pool Championship in the 1960s. The Janscos contributed to the pool’s romanticized image as a gunslinger’s activity. Their promotion of the gambling aspect of the sport contributed to its rise in popularity with the public, with their tournaments drawing media coverage from major television networks and national magazines like “Sports Illustrated.” So popular were the Johnston City events that the Jansco’s launched a second event, the Stardust Open in Las Vegas. The Janscos could also be credited with moving 9-ball and one-pocket into the game’s forefront during a time in which straight pool was considered the only professional game. They were also among the first promoters to welcome integrated fields, paving the way for players like African-American Cicero Murphy to compete for world titles. George Jansco passed away in 1969. Paul Jansco died in 1997.

Taking A Mulligan

Matchroom’s acquisition of the U.S. Open 9-Ball Championships was met with great joy by the pool community. Bold plans and grandiose promises heralded a bright future for America’s oldest and most significant major pool tournament. A guaranteed purse of $300,000 for the 2019 event was announced when entries opened to 128 players. The response from players around the globe was so swift, despite the $1,000 entry fee, that the field was opened and quickly grew to 175, then 200 and finally to 256. More than 100 players asked that their names be placed on a waiting list.

Not unreasonably, most players assumed that since the number of entries doubled, the prize fund would also jump. Simple math shows that a $300,000 guaranteed purse with $128,000 in entry fees equals $172,000 in added money. With 256 players, that $172,000 would bring the total prize fund to $428,000. Makes sense. Even if Matchroom only added $100,000, some rationalized, the purse would still be $356,000.

So, imagine the players’ surprise when Matchroom quietly posted the prize list on its website yesterday, indicating that the total prize fund would remain at its originally announced $300,000. Just $44,000 added to the U.S. Open? Heck, Barry Behrman’s U.S. Opens routinely featured $50,000 added. Some players expressed disbelief. A few others were flat out angry. What happened to all of those big promises? This is a Matchroom production, right?

Of course, everything is not quite as simple and clear cut as it seems. “The cost of this event is staggering,” Matchroom Multi Sport COO Emily Frazer said, when asked about the prize fund surprise.

It seems money that might have been added to the prize fund was gobbled up in staging and production costs.

Honestly, I understand both sides of this. The players have every right to be disappointed in the prize fund. And Matchroom has every right to spend its money where it sees fit in the production of an event.

In an effort to get each side to understand the other’s concerns, I offer the following comments:

To Matchroom — A $300,000 event doesn’t impress players if the entry fees account for 85 percent of the purse. Players are travelling from all over the globe, at great expense, because you have a pristine reputation and you’ve gone to great lengths to tout your takeover of the U.S. Open as game-changing. They are coming because it says “Matchroom.” These players are paying a $1,000 entry fee, at least that much to get to Las Vegas, $200 a night for lodging, $6 for a bottle of water and will be prisoners in the arena at Mandalay Bay because the field needs to be trimmed from 256 to 16 in three days. And obviously, going from 128 to 256 players with no increase in prize fund has an adverse effect on the prize distribution. So, don’t blame the players if they feel somewhat disrespected. Staging and production costs are astronomical? I get it. But the players did not demand that the event be at the price-gouging Mandalay Bay, yet they have been punished.

Beyond that, the World Cup of Pool ($250,000) and World Pool Masters ($100,000) are 100 percent added money (invitationals with no entry fee). The U.S. Open’s $44,000 in added money makes it the fourth largest added-money pro tournament of 2019 — the World 10-Ball Championship ($100k), the WPA Player Championships ($50k) and the International 9-Ball Open ($50K). This U.S. Open 9-Ball Championships qualifies as the lowest tier WPA points event. That’s not Matchroom. Matchroom sets the bar, it doesn’t limbo under it.

To the Players and Fans — If anyone in this industry deserves the benefit of the doubt, and the gift of a mulligan, it’s Matchroom. If they can be faulted at all in this matter it is in focusing so hard on taking the event itself to the next level. “We’re going to take this event and make it mainstream,” was Matchroom founder Barry Hearn’s message when he announced the company’s acquisition of the U.S. Open.

That doesn’t mean simply posting a huge prize fund. That means creating a must-see event that has people buzzing. I get that too and creating that perception costs money. Look no further than the Mosconi Cup, pool’s only true must-see event. Matchroom took an event that was already successful and ramped it up another level in 2018. That gamble didn’t come cheap, but it paid off. The result? The players will benefit next year with double the prize money. From the sound of it, staging and production plans for the U.S. Open are every bit as bold.

And that is what players and fans should understand and accept this year. Give Matchroom a prize fund pass in April and let them focus on making the U.S. Open 9-Ball Championships the Mosconi Cup of open tournaments. The impact will be long-lasting and the reward to the players is certain to follow.

Pool’s Olympic Bid Fails

The organizing committee for Paris 2024 released a press kit on its recommendations to the International Olympic Committee. The committee recommended break dancing, surfing, skateboarding and sport climbing. Other sports that were included as “finalists” were baseball, squash and karate.

In recent Summer Games, the IOC has allowed the host country’s organizing committee to propose new sports. Baseball and karate will be included in the Tokyo 2020 Games, along with surfing, sports climbing and skateboarding. The Paris 2024 Organizing Committee recommended the four sports to “emphasize its goal of creating spectacular, urban and sustainable Games. These will not only provide a fitting showcase for athletic performance but also engage young people and the wider public through lifestyle sports.” The World Confederation of Billiard Sports (WCBS), the world governing body for all billiard sports and a member of the IOC, launched an effort to have billiards included in 2024 by forming a Billiards 2024 Committee. The committee hosted a press conference to announce its intent at the Eiffel Tower in Paris in early December. The WCBS also launched an online petition to demonstrate the sport’s worldwide appeal. The World Snooker Federation (snooker), World Pool-Billiard Association (pool) and World Billiard Union (carom) make up the WCBS.

Billiards 2024 Committee Coordinator Jean-Pierre Guiraud was not available for comment at the time of this post. More information will be released as it comes in.

Good Things Come To Those That Wait

That old adages seems perfectly appropriate in 2018, as former champions Gerda Hofstatter-Gregerson and Kim Davenport earned election into the Billiard Congress of America Hall of Fame, the BCA announced today.

The Austrian-born Hofstatter-Gregerson, 47, had been on the Greatest Player ballot for seven years and finished second in voting three times. Davenport, 62, had been on the Greatest Player ballot for nearly 20 years. He was recommended this year by the Veterans Committee, which reviews the records of players who had not gained election on the general ballot prior to turning 60.

“My first reaction is, ‘What am I doing in there with all those great players,’” Hofstatter Gregerson. “Honestly, I never expected to get in. Everyone who has gotten in is so deserving, I was just honored to be on the ballot. But I am excited and humbled and honored to be in such great company.”

“It was a long wait and was a little frustrating at times,” admitted Davenport, who resides in Acworth, Ga. “I thought my record was stronger than some others, but better late than never. A hundred years from now people will see my name next to Mosconi’s, and that’s not a bad thing!”

A longtime star on the Women’s Professional Billiard Association Classic Tour, Hofstatter-Gregerson was 10-time European Champion before moving to the U.S. in 1993 to join the WPBA. She won 10 Classic Tour titles in eight years. She also won the World Pool-Billiard Association World 9-Ball Championship in 1995, the WPBA National Championship in ’97 and the BCA Open 9-Ball Championship in 2000.

Davenport hit his stride on the men’s pro tour in 1998, winning the highly regarded Japan Cup and Eastern States 9-Ball titles. After adding three more titles in 1989, Davenport won the Brunswick Challenge Cup in Sweden, the Sands Regency Open and the B.C. Open in 1990, earning Player of the Year honors from Billiards Digest.

Hofstatter-Gregerson and Davenport will be formally inducted as the 71st and 72nd members of the BCA Hall of Fame on Friday, Oct. 26, at the Norfolk Sheraton Waterside in Norfolk, Va.

Mandalay Bay To Host US Open 9-Ball

The 43rd US Open 9-Ball Championship will take place at Mandalay Bay Resort and Casino, Las Vegas from Sunday, April 21 until Friday, April 26, 2019.

Matchroom Multi Sport acquired full ownership of the US Open 9-Ball Championship in a ground-breaking agreement last month and the tournament will move to Las Vegas for its 43rd staging as part of a long-term goal to take the event into the sporting mainstream. The prize fund will be set at a guaranteed $300,000, the biggest ever for the event.

Matchroom Sport Chairman Barry Hearn commented, “I am delighted that we will be partnering with Mandalay Bay in delivering this new era for the US Open 9-Ball Championship. This is going to be a must-see event for every pool fan in America and we also hope to bring new fans into the game.

“Mandalay Bay was an exemplary host of the Mosconi Cup last year and we are thrilled that they will again host one of pool’s biggest events, the US Open. We are busy working hard to deliver a brilliant tournament next April and will have more news about the US Open in coming weeks.”

Ticket details for fans and entry details for players will be made available shortly. The format will be double elimination on a multi-table set up down to the last eight on the winners and losers sides. The final stages will feature the last 16 players in straight knockout on a single table in a huge arena. All matches will be races to 11 with the exception of the final.

Players and fans wishing to book accommodation at Mandalay Bay for the US Open will be able to take advantage of exclusive rates once tickets are on sale.

Matchroom Acquires U.S. Open

After several months of questions and speculation, the mystery surrounding the future of the U.S. Open 9-Ball Championship has been unveiled. British event producer Matchroom Sport, promoters of the Mosconi Cup, World Pool Masters and World Cup of Pool, has taken over ownership of the world’s longest-running major pool tournament.

According to both Matchroom Sport president Barry Hearn and Brady Behrman, son of the late U.S. Open founder Barry Behrman, a deal was signed that gives Matchroom “complete ownership” of the 42-year-old 9-ball championship.

“There are probably only four or five major pool events out there,” said Hearn in a phone interview with BD. “They may not all even necessarily be profitable events, but they have history and profile. One of them is the U.S. Open. I think Matchroom has most, if not all, of the others. We like to have control of a brand, and our brand is 9-ball.

“We are going to take a historic event and make it mainstream,” Hearn added. “That is our charge.”

Hearn confirmed that the Matchroom-produced 43rd U.S. Open 9-Ball Championship would not take place until 2019, and that the event will shift to Las Vegas and boast an increased prize fund.

“We’re going to smash it up right from the start!” Hearn said.

“This relationship is not about ownership or money,” said Brady Behrman, who assumed control of the U.S. Open with sister Shannon Paschall following Barry Behrman’s death in 2015. “It’s about the event itself and growing pool. Knowing that our father went down this path, and knowing how he cared for the event, the fans, the players, the industry and that he wanted the event bigger and better, there is no doubt that Matchroom will carry on our father’s legacy.

“My dad once said before a finals match, ‘These players should be playing for $100,000, but I can’t do it alone.’ With Matchroom, we’ll see increased prize funds and international expansion of content syndication for the Open, which ultimately grows the event, the purse and the nostalgia of the U.S. Open.” Behrman said he contacted Matchroom in January to gauge their interest in taking over the event.

“Shannon and I are both very busy in our own businesses,” he said. “And we wanted to ensure that we take the steps necessary to elevate the event our father produced for 40 years in an effort to give the players, fans and sponsors something special, something monumental. We can’t make that happen. Matchroom’s vision aligns perfectly with our ideals.”

In fact, Barry Behrman had contacted Hearn nearly four years ago with a similar offer.

“Barry contacted me a few years ago about the Open,” Hearn recalled. “He was enthusiastic and loved being the front man for the event. He wanted someone else to assume the risk, but at the same time he wanted to maintain control. I considered it briefly because I’m a pool fan. But it would have been financial suicide.

“This time it was the right time and the right place,” he added. “The Barry Behrman legacy will live on. We’re going to rename the trophy the Barry Behrman Trophy.”

Questions about the future of the U.S. Open surfaced in February when Behrman informed the Sheraton Norfolk Waterside Hotel, site of the U.S. Open for the past three years, that the 2018 event would not be held there. The Sheraton had been holding the week of Oct. 21-27 for the annual tournament. Accu-Stat’s founder Pat Fleming, who had taken over as the event producer for the past two years, said in February that talks with Behrman had gone nowhere and that his future as part of the event — as event and/or live stream producer — was unclear.

Based on that uncertainty, and with the Sheraton about to release the October dates, Fleming announced plans to produce his own international 9-ball event at the Sheraton in the U.S. Open’s stead. [See side story below.] Meanwhile, Hearn pointed to the U.S. Open’s potential as one of the factors in procuring the historically rich tournament.

“The value of the U.S. Open is its history,” the promoter said. “Our goal is to make the U.S. Open 9-Ball Championship a global event.

“The sports business is all about perception” Hearn continued. “Perception to the broadcasters and audience and to the public about how big an event is. How big an event is and how it is perceived is all in your hands. When we do big boxing events, the perception is that if you don’t get a ticket on the first day, they’re gone. That snowball works. In darts, we sell 11,000 tickets in 10 minutes. We’ve built the perception that these are must-see events.

“In pool, you can show up whenever, or if, you feel like it. That’s a killer. The Mosconi Cup now shows what you can do in pool. You can create that demand and that perception. In pool in the U.S., there has never been that fear factor that you might miss out.” While increased prize funds and first class production are important, what Matchroom brings to the U.S. Open’s future is broadcast reach that the event has not yet enjoyed. Accu-Stats-produced broadcasting of the U.S. Open over the years has satisfied fans willing to pay to view the event, and rights deals did deliver packaged content to parts of Asia, but the addition of the U.S. Open to Matchroom’s vast portfolio of sporting events ensures a wider audience.

“The U.S. Open will be part of our Sky package,” said Hearn, whose Matchroom Multi Sport portfolio (of which pool is part) recently inked a new seven-year broadcast deal with the European sports cable network. “So, Day One, I know the U.S. Open will be broadcast live in 35 countries.”

And in the U.S.?

“I’m hopeful for the U.S. broadcast market,” he said, adding that the U.S. Open will be aired live in the U.S. in some form or fashion. “We’re almost there. What is changing the dynamic is the packaging of Matchroom as a company. We come in with 12 different sports and 2,000 hours of live coverage. There’s a movement in the digital marketplace. Whether it is ESPN Plus or Turner Broadcasting, there is a need for programming and heightened interest in niche sports.”

Neither side would discuss details of the U.S. Open’s sale, other than to say that the Behrmans were paid a nominal license fee, with potential to share in future profits.

“It’s important that people understand that we didn’t sell out,” Behrman reiterated. “We want to see the U.S. Open grow and go on forever. Reaching out to Matchroom was the best way to make that happen. They will do incredible justice for the event, and for pool in the U.S. and internationally.”

According to Hearn, as part of the deal, Behrman and Paschall will have input, but Matchroom will have the final say on event decisions.

“We will keep the family as part of the event,” Hearn said, “But we have the freedom of ownership to say, ‘This is the way forward.’”

Hearn added that particulars about the U.S. Open under his stewardship are still being worked out, but international qualifiers will be part of the equation.

“We will make the U.S. Open truly global,” he insisted. “I want players from around the world. More importantly, I want people around the world talking about the U.S. Open.

“We have an ego as well,” Hearn said. “We like to grow events. Can we ever get to a $1 million prize fund? One thing players know is that with Matchroom you get paid and you get top money.” As big as the U.S. Open is in America’s pool history, Hearn insists there is much work ahead.

“This is a big job to be done,” he said. The U.S. Open is 42 years old and it hasn’t grown. How do you fill an arena for the U.S. Open like we do for Mosconi? We need the event to be inspirational. We need to inspire. We have to have kids saving their money for their entry fee or to make the trip to Vegas to watch the U.S. Open.

“Do I expect the U.S. Open to be profitable from Day One?” Hearn wondered. “No. But I will spend the money to make sure the U.S. Open is produced properly on Day One. And I’m confident that over a three or four year period we will end up with a major event.”

Fleming Announces New Event in U.S. Open Time Slot

The Sheraton Norfolk Waterside Hotel in Norfolk, Va., will, indeed, host a major pool tournament in late October for the fourth consecutive year. But it will not be the 43rd Annual U.S. Open 9-Ball Championship. Accu-Stats founder and promoter Pat Fleming said he has signed a contact with the Sheraton to run his own international tournament on the dates previously held for the U.S. Open.

Fleming announced his intention to run an event called the U.S. International Open, Oct. 21-17, 2018, at the Sheraton. He did so without knowledge that U.S. Open owners Brady Behrman and Shannon Paschall, the son and daughter of late U.S. Open founder Barry Behrman, were in the midst of selling the U.S. Open to Matchroom Sport.

“The dates were saved with the Sheraton for Oct 21-27, 2018,” said Fleming. “The [World Pool-Billiard Association] blocked those dates on their calendar. We also made some commitments with hotel for risers and such.

“I had to make a decision on the hotel,” Fleming continued. “They loved our event.”

Fleming said he send the Behrmans an email stating his intention to move ahead with his own event.

“I have the support of Diamond Billiard Products and WPA sanctioning,” Fleming said.

Fleming said he plans to restrict the field to 128 players. The prize fund will pay 32 places, and the payout will be the same as the 2017 U.S. Open: $40,000 for first place and $2,250 for 24-32. As with the U.S. Open, the entry fee will be $1,000.

“We will still be paying a quarter of the field,” Fleming said. “And, we will grant free entry to the most recent 10 U.S. Open winners. Players who won prior to that will pay a $500 entry fee. We still want the past champions in the field.”

Tools of the Trade

Pool players have a love/hate relationship with their cues. We talk to some of the game’s best to better understand how equipment impacts performance.

Photos by Mel Evans

Pool isn’t baseball, where an inside fastball can snap a bat in half. Pool isn’t golf, where an errant drive can wind up with a driver floating in the nearby pond. Pool definitely isn’t basketball, where LeBron James might never wear the same shoe twice. Pool players and their cues have a markedly different relationship. Maybe it’s the function of the cue, as a literal extension of the human body. Maybe it’s the sheer amount of time one spends with it, hours at the table, in the airport, in the car. It’s not an exaggeration to call it an intimate relationship, even if that 20-ounce hunk of wood and leather can be a fickle partner when it’s needed the most. For the Cue Issue of Billiards Digest, we talked to nine of the best players in the world. We asked them about their preferences, about their horror stories, about any advice they might have for the average player.

Kelly Fisher

Like Allison, Kelly Fisher dominated snooker before switching to American pool. The three-time snooker world champ has won a pair of 9-ball world titles and a handful of WPBA titles in her dozen years as a pool pro.

What’s the most bone-headed thing you’ve ever done with your cue(s)?
I once left my cues circling on the conveyor belt at the airport. I didn’t even realize I had left them there until I got home three hours later.

Do you remember your first “real” cue? What was your favorite thing about it?
I’ll never forget it. I was 13 or 14 years old. My dad took me to a custom cuemaker and I was allowed to choose it all by myself, whatever I wanted.

Do you have a particular horror story that comes to mind?
When I arrived at the 2015 Women’s World 9-Ball Championship in China, I went to practice the night before, only to find my tip was half off. I got my spare shaft out of my bag and, I have no idea how, but that tip was also hanging off. One of the players helped me reattach the tip, but the uncertainty was in the back of my mind. (Editor’s note: She finished in ninth place.)

Do you have any unique maintenance habits?
I don’t clean my cue. I actually don’t do anything to it — and I like it dirty.

Do you have any superstitions with your cues?
I take them out and put them back in my case in the same place and order.

Darren Appleton

In the decade since “Dynamite” made the switch to American pool from its English counterpart, he has won world 9-ball and 10-ball titles, two U.S. Opens and seven Mosconi Cups as a part of Team Europe.

What’s the most bone-headed thing you’ve ever done with your cue(s)?
In 2005, I lost, 9-8, on the TV table in the quarterfinal of the World 8-Ball Championship (in English pool). On the way out of the arena, I put my 10-year-old craftsman ash one-piece cue over my knee. I broke it right in half and threw it in the corner. Afterward, I was a little unhappy since that cue was like my right arm. I couldn’t find a good cue for the next two years. Nothing made me happy. I was never the same player again. Then, in 2007, I switched to American pool, so that was my savior really.

Do you remember your first “real” cue? What was your favorite thing about it?
My first cue was a Riley two-piece when I first started, around 1991 or so. I loved it because Stephen Hendry, the world snooker champion, used a Riley. I thought it was the best cue ever, even though it was worth all of $30. But Hendry won his seven world titles with a $30 cue, which is pretty amazing.

What, if anything, does a cue say about a player?
I don’t think it says much. My favorite color is red, so I’ve had a few of those.

What’s the most difficult thing about switching cues?
What kind of mental obstacles do you face?
Switching cues in English pool is very difficult, because no two ash cues are the same. But American cues are made of maple, so a lot of brands are pretty much the same. It’s more like golf clubs.

What’s the most common misconception among players in terms of tip maintenance?
Most amateurs don’t have a clue about their tips. Really, if you just have a nice dome shape, you should be good. But having the right tip is important. A player with no cue power should be using a soft tip and a player with a lot of power should be using a medium or hard tip.

Justin Bergman

One of the best young players in the United States, Bergman is dangerous in all of pool’s disciplines, while also being a dangerous barbox player. The Illinois native has represented Team USA three times in the Mosconi Cup.

Do you remember your first “real” cue? What was your favorite thing about it?
My first cue was a Dufferin, one of those made for little kids. My first normal cue was a McDermott — it was all red with a black snake on it.

Do you have any unique maintenance habits?
I never do anything to my cue except replace the tip.

 

Allison Fisher

It’s not often “Hall of Famer” is an understatement. The “Duchess of Doom” is arguably the greatest woman to ever pick up a cue. She’s a four-time world champ, 40-time winner on the WPBA tour and 11-time world champ in snooker.

Do you remember your first “real” cue? What was your favorite thing about it?
My first cue was a gift. It had a screw-on tip.

What’s the most difficult thing about switching cues?
What kind of mental obstacles do you face?
The difficult part is adjusting to the deflection and throw between cues. I can adjust pretty quickly because I am a feel and method player. I pay close attention to what happens to the path of the cue ball. The mental obstacle is the different feel of the hit.

Do you have any pet peeves about how other people handle cues (your or theirs)?
I don’t like it when people bang their shaft into balls to gather them for shots. I sometimes let people shoot with my cue, but I have to know they respect cues before I do. I observe what they do with their own. I don’t like people picking up my cue without my permission.

Thorsten Hohmann

The German now residing in Florida has nearly done it all in his career. “The Hitman” has won a pair of world 9-ball titles, a straight-pool world championship and $350,000 for his win at the International Pool Tour’s North American 8-Ball Championship.

What’s the most bone-headed thing you’ve ever done with your cue(s)?
I once made the mistake of wanting the front end of my cue to be heavier. I had a friend add an ounce of weight right behind the ferrule. It created so much deflection that when I put sidespin on the ball, I missed the object ball entirely.

Do you remember your first “real” cue? What was your favorite thing about it?
It was blue.

Do you have a particular horror story that comes to mind?
I once left my cue at a Guinness Beer booth during an event in Indonesia. It was my birthday, so I went to celebrate in a different part of the mall. When I went back to pick up my cues and go play, I realized someone had poured Guinness down the pipes of my case. The shaft had expanded and everything was filthy, wet and stunk like beer. I had to get all new equipment.

A good carpenter never blames his tools, but do you remember a time it was definitely your cue’s fault?
It’s always the cues fault—unless it was the crooked table, the very bad roll, the sharking opponent, the terrible lighting, the annoying spectator or the wind gust that made me miss.

Rodney Morris

“The Rocket” is one of the game’s most explosive players. The 1996 U.S. Open Champion and BCA Hall of Famer has dozens of titles and has represented Team USA in the Mosconi Cup 10 times.

What’s the most bone-headed thing you’ve ever done with your cue(s)?
The most bone-headed thing I did with a cue was grab my whole case and throw it across the room after losing in the World 9-Ball Championships in 2004. The best part was that it was a soft case! Very lucky that all my cues didn’t snap.

Do you remember your first “real” cue? What was your favorite thing about it?
The first real cue was a Barry Szamboti. I love everything about it — the feel, the hit, the sound. I knew right away I had something special in my hands.

Do you have a particular horror story that comes to mind?
I remember playing in a big match when my tip flew off right in the middle of a shot. I didn’t have another shaft, so I just quit.

Do you have any unique maintenance habits?
I don’t do any of my own maintenance on my cues except for scuff or tap the tip when I feel it needs it. I never learned how.

What’s the most difficult thing about switching cues? What kind of mental obstacles do you face?
There was a 15-year stretch where it seemed like I used a different cue about every six months. The hardest part is learning the deflection on slow spin shots — and they always come up when it’s hill hill! Mentally, you’re in big trouble at that point.

What does a player need to consider before switching to a low-deflection shaft?
Before switching, you need to try it out. A cue should fit you right away. It shouldn’t mean you have to adjust to it.

Do you have any pet peeves about how other people handle cues (your or theirs)?
I hate the way some people chalk their cues if they make a loud squeaky sound. That irritates the hell out of me. Or when they drag their cue around behind them when they walk around the table.

Monica Webb

A perennial top-10 player on the women’s tour, Webb has won two WPBA titles. She currently runs her own poolroom in Georgia while continuing to compete at the highest levels.

What’s the most bone-headed thing you’ve ever done with your cue(s)?
I once slammed the ivory butt of a cue once. The [bumper] was worn down, so it cracked all the way up.

Do you remember your first “real” cue? What was your favorite thing about it?
It wasn’t a “real cue” but when I was 8 years old, I kept my own house cue behind the bar. I got my own cue when I was 9 or 10. It was my favorite — being able to have a proper cue and get more consistent.

Do you have any unique maintenance habits?
I don’t clean my shaft much at all, but my ferrule needs to be clean.

What, if anything, does a cue say about a player?
Beyond something flashy versus simple and conservative, I think it might say something about a personality, but it doesn’t say much about the player.

Jennifer Barretta

New York’s own has been long been among the elite women in the U.S. She also starred in Tru TV’s “The Hustlers” and is a regular on the Women’s Professional Billiard Association tour.

What’s the most bone-headed thing you’ve ever done with your cue(s)?
All of my bone-headed things I’ve done have been at the table. The mishaps and mistakes were definitely not the cue’s fault. No cues were injured in the making of my career.

Do you remember your first “real” cue? What was your favorite thing about it?
I remember my instructor telling me about the Predator shaft when it first came out. I knew nothing about pool, but I sure did like the name.

Do you have any unique maintenance habits?
I never clean my cue. Other players touch it and cringe.

What, if anything, does a cue say about a player?
Flashy? They are the players with flashy games. Subdued and technical? Their game matches. Very expensive and filled with inlays? Play them for money. They usually suck.

What’s the most difficult thing about switching cues? What kind of mental obstacles do you face?
I’m not a fan of switching cues. You put so much trust in this instrument that you play with. How can I trust a stranger?

Do you have any superstitions with your cues?
Sometimes when I’m having a good tournament, I find myself “making them comfortable” in the hotel room—laying them on the sofa, making sure they’re out of harms way, ridiculous stuff like that. I think they appreciate it, though!

What does a player need to consider before switching to a low-deflection shaft?
That they won’t miss as much. Consider your decision very carefully!

A good carpenter never blames his tools, but do you remember a time it was definitely your cue’s fault?
I was sponsored by a new cue company right after I came off a very long break. I stuck it out because I thought I had forgotten how to play. That sponsorship ran out and I started playing with my Lucasi Hybrid. It was like night and day the moment I put it in my hands. Definitely the cue’s fault.

Mike Dechaine

A mercurial talent from Maine, “Fireball” has used his powerful stroke to take a place among the best in the U.S. The four-time Team USA member in the Mosconi Cup also starred alongside Barretta in Tru TV’s “The Hustlers.”

What’s the most bone-headed thing you’ve ever done with your cue(s)?
Wow, there are so many things I’d like to take back when it comes to cues. My biggest mistake was switching from something I really liked. When you get used to something, keep it. Also, I’ve changed tips in the middle of tournaments when I was playing perfectly fine. I do not recommend doing that.

Do you remember your first “real” cue? What was your favorite thing about it?
My first “real” cue was a McDermott my father gave me. It was simple but played extremely well. It was before I knew anything about high or low deflection. I actually still have this cue, so maybe I’ll dust it off and start playing with it again.

Do you have any unique maintenance habits?
Most everything about my equipment is straightforward. I use a specific tip, taper, like my shaft smooth but dirty and prefer a forward-balanced cue. Some have commented on my unique chalking habits. Personally, I don’t see what’s wrong with it, but I guess it’s strange from what I’ve heard.

What, if anything, does a cue say about a player?
For me, all I care about is if the cue plays well. It could be the ugliest looking thing in the world, but if it hits good, it’s in my bag.

A good carpenter never blames his tools, but do you remember a time it was definitely your cue’s fault?
I’d like to say every time, but we all know that’s not the case. One situation I wish I could take back was a week before the 2015 Mosconi Cup when my ferrule cracked. This was heartbreaking for me because I was playing excellent when this all happened. That time, it was 100% the cue’s fault!

Fill in the Blank

The most important single thing about a cue is _____.

Kelly Fisher: You trust it.
Monica Webb: The shaft.
Jennifer Barretta: The shaft.
Darren Appleton: The tip.
Rodney Morris: The hit.
Allison Fisher: The balance.
Justin Bergman: The tip.

Nickel- or dime-shaped tip?

K. Fisher: Dime.
Webb: Nickel.
Barretta: Nickel. I get too much spin with a dime.
Appleton: Nickel.
Morris: Dime.

I’m especially aware of my cue’s _____.

K. Fisher: Crisp hit.
Webb: Wrap.
Barretta: Balance.
Appleton: Tip.
Morris: Tip hardness.
A. Fisher: Balance.

Players who name their cues are _____.

K. Fisher: Odd.
Webb: Goofy.
Barretta: Lonely.
Appleton: Bipolar.
Morris: Participation-trophy kids.
Bergman: Strange.
A. Fisher: Interesting.

When I’m walking with my cues/cue case, strangers most commonly mistake them for _____.

Webb: Musical instruments.
Barretta: Musical instruments.
Appleton: Guns.
Morris: Arrows.
A. Fisher: Musical instruments.

As far as its hit, the most underrated aspect of a cue is _____.

K. Fisher: Vibration
Morris: The age of the shaft wood.
Webb: The ferrule.
Appleton: Again, the tip.
A. Fisher: Weight distribution.
Bergman: The joint.

How many cues do you currently own?

K. Fisher: Three, though hundreds more if you count the ones at my pool hall, retail story and Kwikfire line of cues!
Webb: Not many. Less than five.
Barretta: They seem to accumulate, but I only own three that I actually use.
Appleton: Three.
Bergman: 10.
Morris: Just two.
A. Fisher: Quite a few, but I only play with one.

How many cues have you owned in your lifetime?

Appleton: Around 20.
Barretta: Around 20.
Morris: Hundreds.
Bergman: Hundreds.

What’s the most you’ve paid for a cue?

Barretta: $200 for my first cue.
Appleton: $100
A. Fisher: $2,500
Morris: $12,500
Bergman: A couple thousand dollars.

How much does your cue weigh? Your break cue?

K. Fisher: Both my playing cue and break cue are 19.5 oz.
Webb: My playing cue is 19 oz. and my break cue is 18.5 oz.
Barretta: My playing cue is 19 oz., my break cue is 20 oz.
Appleton: My playing cue is 19.5 oz. and my break cue is 19 oz.
Bergman: My playing cue is 18 oz.
Morris: My playing cue is 20 oz. and my break cue is 19.5 oz.
A. Fisher: My playing cue is 18.2 oz. and I don’t know what my break cue weighs.

I prefer a wrap/no wrap because _____.

K. Fisher: A prefer a wrap because it is less sticky.
A. Fisher: I like the beauty of a wrapless cue, but I prefer wraps because the lacquer can be too thick and sticky.
Webb: I like a wrap because of the grip.
Appleton: I prefer an elephant ear skin wrap for its feel.
Bergman: I prefer a wrap because my hands sweat so it gives me a better feel.
Morris: I prefer a leather wrap because I like how it grips my hand.

A good cue repairman is worth _____.

Webb: A lot! Nothing is worse than your tip falling off at a tournament or needing repair on the finish and wrap. It’s very important to me that I have the best person work on those things.
Barretta: Chaining up in your basement!
Appleton: Paying him properly for his work.
Morris: $2 million! (Approximately.)
A. Fisher: A good repairman is worth quite a bit but a good cuemaker is priceless.